About Inktally

Natalie has used art throughout her life as a means of expression and self-discovery. As a child, her parents would line the walls of her room with plain wallpaper and set her free with a paintbrush. This early creative freedom sparked her love for art, a passion that carried her through her teenage years when sketching and doodling became her solace in a world where she often felt isolated and alien. In adulthood, art evolved into a powerful tool for self-discovery, helping her navigate life's challenges and find deeper meaning within herself.

Natalie began as an independent fashion designer, with a deep passion for textiles. Influenced by the art and fashion of the 60s and 70s, she was drawn to bold colors, intricate design, and mystical symbolism. As her brand expanded, she ventured into graphic design and illustration to create t-shirt designs for her collection. This shift sparked a new love for the creative process and the resulting artwork, which quickly resonated with her audience.

Her artistic influences include Hilma af Klint, Wes Wilson, Stanley Mouse, Marijke Koger, and other psychedelic rock poster artists of the 60s. Hilma af Klint’s use of vibrant colors and mystical symbolism profoundly impacts Natalie’s work, while the striking color combinations and op art of psych rock posters by Wilson, Mouse, and Koger inspire the dynamic energy seen in her designs. Her work also draws from her own psychedelic experiences, which bring layers of depth and meaning into her creations.

Natalie's achievements include designing the poster for Greta Van Fleet's "Dreams in Gold" tour in 2022, as well as working with Inzo on his music poster for Red Rocks, Colorado, in 2025. She has also illustrated works for publishers, including Octopus Publishing and Sterling Ethos, an imprint of Union Square & Co. Her exhibitions include "Street Tarot, The Order of the Fool" in October 2022, Manchester, and "Wrestling Demons" at Old Fulham Town Hall in 2019.

In her process, Natalie doesn’t start with a clear idea of the final piece; instead, she plays with shapes and colors, allowing an image to form organically. In the process, she often discovers parts of herself that were begging to be heard, and she hopes these creations resonate with her audience in the same way, offering a space for personal healing and connection. For Natalie, her art is a reminder to stay on the healing path—something deeply personal after her own struggles—and she hopes it makes others feel seen and not alone in their journey.